The machine was specifically chosen by the film’s director because of its ability to manipulate real world sounds. Although several synthesizers had preceded it, the Fairlight was the first digital model. The main catalyst for the music in Liquid Sky was a synthesizer known as the Fairlight CMI. The music in Liquid Sky sounds unusual, however the process of creating the music for the film was truly unique for the time period. Additionally, the possible reasons for the use of these various kinds of music in the film are proposed. The music is organized categorically: adapted, original, and borrowed. Subsequently, these are used to show how Liquid Sky fits into the genre of cult film.Īs the main focus of this thesis, the music in Liquid Sky is identified, and its origin and context within the film are explained. This thesis acknowledges Liquid Sky as a cult film, but it also provides a context for defining cult films, as well as the characteristics that set them apart from films in other genres. Because comprehending the film Liquid Sky is intrinsically linked to understanding the soundtrack, character and plot analysis is relevant to this study. One of these sources is the movie itself, which can be aurally and visually confusing without peripheral sources of reference. This thesis is based upon information from a variety of sources dealing with the soundtrack for the film Liquid Sky.
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